闲山：龙的出现

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简介：《角头2：王者再起》故事描述仁哥（王识贤 饰演）面对曾经的好兄弟，如今却“走味”变成‘最换帖的敌人’的刘健（邹兆龙 饰演）重现江湖，不断挑起纷争与冲突，破坏仁哥的忍耐与努力维持的和平。看着刘健的事业版图逐渐扩大，身边的兄弟为了情义有所牺牲，仁哥终究按耐不住释放出心中的猛兽，与亦敌亦友的刘健正式开战，为江湖掀起腥风血雨的厮杀。

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过着平静生活的南吉看到京美锻炼身体后暂时忘记了善美，并开始爱上她。然而，深爱着善美的南吉却在善美和京美之间产生了矛盾

简介：Young People meet Outlaw Bikers meet feral Twin Psycho-killers in a notorious abandoned water park.

简介：不知曾几何时，世界各地出现了专门捕杀人类的巨人，可怕天敌的出现最终导致人类的文明衰落与倒推。为了阻止巨人无休止的捕猎，人类筑起三座高墙将自己保护起来，如是过去了一百年的时光。\n\n少年艾伦厌倦了被囚禁起来的日子，某天他怂恿伙伴三笠·阿克曼和阿明·阿诺德试图翻出围墙，谁知却见证了超大型巨人打破围墙以及无数巨人疯狂涌入的可怕一幕。霎时间宁静祥和的城市变成了巨人的狩猎场，艾伦等人目击了永生难忘的血腥一幕。\n\n两年后艾伦和阿明加入调查兵团，并且即将随同战友出发修复外墙，夺回沦陷的土地。这注定是一次凶险非常的旅程……\n\n本片根据谏山创发表在《别册少年Magazine》上的同名漫画原作改编

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简介：你的名字。 君の名は。是2016年上映的日本剧情电影。在远离大都会的小山村，住着巫女世家出身的高中女孩宫水三叶（上白石萌音 配音）。校园和家庭的原因本就让她充满烦恼，而近一段时间发生的奇怪事件，又让三叶摸不清头脑。不知从何时起，三叶在梦中就会变成一个住在东京的高中男孩。那里有陌生的同学和朋友，有亲切的前辈和繁华的街道，一切都是如此诱人而真实。另一方面，住在东京的高中男孩立花泷（神木隆之介 配音）则总在梦里来到陌生的小山村，以女孩子的身份过着全新的生活。许是受那颗神秘彗星的影响，立花和三叶在梦中交换了身份。他们以他者的角度体验着对方的人生，这期间有愤怒、有欢笑也有暖心。只是两人并不知道，身份交换的背后隐藏着重大而锥心的秘密……本片为2016年度日本本土影片票房冠军。

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相依为命的达菲鸭和猪小弟发现家里屋顶破了个大洞，为筹修理费，二人四处打工，经猪小妹介绍辗转来到口香糖制造工厂工作，意外发现藏匿在泡泡糖中的惊天阴谋。在这场事关全人类的危机中，达菲鸭和他的“猪队友”也成为拯救末日的唯一希望，史上最危险的太空救援任务即将展开！

简介：讲述了以张磊（任天野 饰）、肖辉（王韬 饰）为代表的缉毒特警，他们用忠诚和铁血捍卫人民警察的荣誉，在执行“雷霆行动”的过程中经受血与火、生与死的考验，彻底捣毁杜日昌（倪虹洁 饰）贩毒集团，维护了社会秩序的和谐稳定，保障了人民群众生命财产安全的英雄故事。

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　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.