因行侠仗义被老百姓称为铁脖子的李勇，偶然与当朝太子结识，结伴游台湾，一路上扶贫救弱，除暴安良，萧受奸人指使与山地人勾结杀害了为殿下保驾的李勇，后知真相将奸人杀死。
1858年，在博洛尼亚的犹太区，教皇的士兵闯入了莫塔拉家，按照枢机主教的命令，他们要抢走莫塔拉家的七岁儿子埃德加罗。这个孩子在婴儿时期被保姆秘密洗礼，教皇法律是不容置疑的：他必须接受天主教教育。莫塔拉的父母心痛万分，他们将不惜一切代价取回自己的儿子。在国际犹太社区和舆论 的支持下，莫塔拉家的斗争很快就带上了政治色彩。但是，教会和教皇不会同意归还这个孩子，因为这有助于巩固越来越动摇的权力……
二十世纪90年代末的哈尔滨，小青年于铁在替人收债时与借贷人的女儿金佳丽一见钟情。于铁通过自己的善良、爱与执着，打开了金佳丽封闭的内心。在两人即将携手奔赴幸福之时，突如其来的意外，打断了于铁所有的计划。
宋几何在女友劈腿分手后，久久痛苦中.邻居新搬来美女乔熙，在帮她搬东西后，乔熙对几何不断献殷勤，几何把持 不住，跟乔熙各种啪啪啪，还变换场景，女主相当漂亮，而且火辣性感，这也招来了男主好友的妒忌，一直想把男主的 新女友搞到手，而乔熙背后的身世更是惊煞天人... 电影改编于一部18x的韩国漫画—17种x幻想。当然漫画尺度大得多，电影改编、压缩了一些剧情，比如女主回到过 去的原因，回来后满足男主的是实现他的17种H幻想，女主回到未来还发生了一些事，都不是交代得很清楚。不过能看 到这样一部由18x漫画改编的电影也是很有意思的
暂无内容
In the near future, aliens have invaded Earth and declared a galactic war resulting in thousands of human casualties. To save Earth, a team of four teenage astronauts brave the alien wilderness of a distant planet to stop an assassin from changing the course of history forever.
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
大体修复师吴悠，独自照顾失智母亲，生活被贫困与沉重责任压得喘 不过气。某日，他在殡仪馆遇见一名无人认领的女童遗体，灵魂悄然 现身，要求他「带我回家」。在完成修复工作的过程中，吴悠与小女 孩展开一段幽微而疗愈的旅程，也逐渐逼视自己与母亲之间被压抑的 伤痛与未竟的爱。
很久以前，野生动物的王国艾力玛山腹地被一群亡命徒占据。到了20世纪初，以狼王乔勒为首的狼群向在人类发起攻击。无助的村民请来神枪手断魂张。断魂张利用乔勒的三只幼仔大败狼群。断魂张的女儿果果放了三只小狼。平安的一年过去了，正离开的断魂张父女遭到幸存的乔勒和已是壮狼的三只小狼的袭击，断魂张被咬死。果果为报仇找来猎手花面狼。心绪复杂的果果打死了不躲不闪的三只壮狼。花面狼也与乔勒同归于尽。果果不久后自尽。
一批丧失了资格的僵尸被僵尸国驱逐出境.为首的家拉伯爵带着几个手下到中国另谋生路.后来他们找到一个牙科学徒青头仔,这个救星岂可放过?于是男尸们百般奉承,青头仔决定帮僵尸们造一副大钢牙,作为赠品.钢牙接近完工,谁不知僵尸们竟为了个人得益,想将青头仔杀害,到最后僵尸们能否成功呢……
